The Atelier

The House at Leisure

A running order of everything the atelier photographed this season — held quietly, set in sequence, filmed where the pieces were made. Each frame opens to its piece.

The House

Held quietly. Signed by the hand.

Films

Each frame is a doorway — tap a film to open the piece.

Padrone Pipe Case — brown, roll & tie

The piece filmed with the pipe it was made to carry.

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House opening — Autumn MMXXVI

The film that opens the storefront — a piece walked into the light.

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Coming soon — a season revealed

A pass through the atelier before the next release is called.

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Coming soon — a second look

A second cut from the same shoot, held at a different tempo.

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Autumn campaign — cut one

The season's editorial in motion — the atelier at its own pace.

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All pieces — the shop opens here

A running look through every silhouette the atelier makes.

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Villa Autumn — the campaign

A full villa pass, the atelier photographed in one afternoon.

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The Pipe — a longer look

The pipe piece filmed at length, from roll to tie.

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Studio Autumn — cut five

The season's studio work, held wide.

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Studio Autumn — cut four

A shorter studio pass at the same tempo.

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Venera Clutch — black croc-embossed

Handled against a burgundy silk backdrop.

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Lorena Tote Bag — black

A power tote for the working city.

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The Tote Bag collection

An atelier season, walked in sunlight.

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Studio Autumn — vertical one

A vertical reel shot inside the studio.

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Studio Autumn — vertical two

Another vertical from the same afternoon.

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Studio Autumn — vertical three

A third studio reel, held quietly.

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Studio Autumn — vertical six

The shortest of the studio verticals.

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Villa Autumn — vertical one

A vertical from the villa shoot.

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Villa Autumn — vertical seven

A closing vertical from the villa afternoon.

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Elvar — Full leather, honey

The honey Elvar carried into the light.

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Venera Clutch — burgundy

An evening clutch in burgundy full-grain calfskin.

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Montel Backpack — cognac

The one-shoulder cognac Montel.

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Marcel Backpack — dark chocolate

The Marcel on a chair with the trench coat.

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Devon Crossbody — burgundy

A compact crossbody with top handle, carried into the sun.

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Domino Cylinder Crossbody — burgundy barrel

The barrel silhouette, held at the hip.

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Top-Handle Handbag — cognac

The push-lock handbag, worn by day.

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Top-Handle Handbag — black (Piano Reflections)

The black top-handle, held to a reflection and a low piano line.

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Luna Handbag — burgundy half-moon

The Luna in daylight, by the ledge.

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Luna Handbag — moody cut

The Luna held in low light, a quieter edit of the same piece.

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Bellano Tote Bag — taupe suede

The suede tote caught in a frame of models.

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Cielo Crossbody — blue-grey suede

A beautiful-dream edit of the suede crossbody.

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Elvar Backpack — canvas & leather

The canvas-and-leather Elvar carried by a model.

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Elvar — Full leather collection

A collection cut across all three Elvar colourways.

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ARAS PINE Livia Crossbody — brown nubuck — Nubuck settles into the lap the way a good bag learns its owner. Wicker holds the line; the garden softens behind. Cut small enough to disappear into a day, present enough to be missed the moment it is set down. — Livia Crossbody — brown nubuck
Nubuck settles into the lap the way a good bag learns its owner. Wicker holds the line; the garden softens behind. Cut small enough to disappear into a day, present enough to be missed the moment it is set down.
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ARAS PINE Lorena Tote Bag — maroon — Structured calfskin at the shoulder, a courtyard in bloom behind. A tote cut for the working week — laptop, notebook, the folded jacket — and quiet enough for the evening it hands off to. — Lorena Tote Bag — maroon
Structured calfskin at the shoulder, a courtyard in bloom behind. A tote cut for the working week — laptop, notebook, the folded jacket — and quiet enough for the evening it hands off to.
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ARAS PINE Crossbody — burgundy barrel — A cylindrical barrel in burgundy calfskin held at the hip, sunlit foliage reflected in glass behind. The adjustable strap draws close; the pine emblem sits centred, as it does on every piece the atelier makes. — Crossbody — burgundy barrel
A cylindrical barrel in burgundy calfskin held at the hip, sunlit foliage reflected in glass behind. The adjustable strap draws close; the pine emblem sits centred, as it does on every piece the atelier makes.
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ARAS PINE Livia Crossbody — brown nubuck — Wicker, grass, the pause between two thoughts. The Livia carries its softness on the wrist and its structure in the strap — a piece that reads at ease in every light we have photographed it in. — Livia Crossbody — brown nubuck
Wicker, grass, the pause between two thoughts. The Livia carries its softness on the wrist and its structure in the strap — a piece that reads at ease in every light we have photographed it in.
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ARAS PINE Prato Backpack — cowhide & taupe suede — Cowhide print at the flap, taupe suede on the body, one shoulder against the sunlit ferns. The drawstring closure holds the silhouette; the pockets rise where they should, the pine emblem sits centred at the base. — Prato Backpack — cowhide & taupe suede
Cowhide print at the flap, taupe suede on the body, one shoulder against the sunlit ferns. The drawstring closure holds the silhouette; the pockets rise where they should, the pine emblem sits centred at the base.
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ARAS PINE Ivrea Crossbody — green suede & brass chain — Green suede softens at the hip; a brass chain lifts the weight to the shoulder. Held in a white A-line dress, foliage sifting the light behind — a piece for the daylight hour and the evening after. — Ivrea Crossbody — green suede & brass chain
Green suede softens at the hip; a brass chain lifts the weight to the shoulder. Held in a white A-line dress, foliage sifting the light behind — a piece for the daylight hour and the evening after.
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ARAS PINE Montel Backpack — cognac — A slim zip-around in cognac calfskin, worn one-shoulder, the model turning back against a garden reflected in the window. The pine emblem catches the light; the silhouette stays quiet. — Montel Backpack — cognac
A slim zip-around in cognac calfskin, worn one-shoulder, the model turning back against a garden reflected in the window. The pine emblem catches the light; the silhouette stays quiet.
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I

A study in the hand — the atelier at close range. — A study in the hand — the atelier at close range.
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ARAS PINE Top-Handle Handbag — black — Structured full-grain calfskin at rest on a linen bed — the push-lock at the flap, the top handle relaxed, the adjustable strap dropped to the side. A handbag cut for the mornings that begin quietly and the evenings that end the same way. — Top-Handle Handbag — black
Structured full-grain calfskin at rest on a linen bed — the push-lock at the flap, the top handle relaxed, the adjustable strap dropped to the side. A handbag cut for the mornings that begin quietly and the evenings that end the same way.
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ARAS PINE Ferrando Backpack — cream canvas & chocolate leather — Grass beneath, a page open, the afternoon holding still. Cotton canvas trimmed in full-grain calfskin, the buckle-through straps closed at the flap. A backpack that carries the day and lets it rest. — Ferrando Backpack — cream canvas & chocolate leather
Grass beneath, a page open, the afternoon holding still. Cotton canvas trimmed in full-grain calfskin, the buckle-through straps closed at the flap. A backpack that carries the day and lets it rest.
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ARAS PINE Ferrando Backpack — forest canvas & chestnut leather — Forest canvas at the body, chestnut calfskin at the flap. Held at the waist in a sunlit courtyard, a cedar spire behind. Dual-buckle closure, the pine emblem centred — a Ferrando in the season's most quiet colourway. — Ferrando Backpack — forest canvas & chestnut leather
Forest canvas at the body, chestnut calfskin at the flap. Held at the waist in a sunlit courtyard, a cedar spire behind. Dual-buckle closure, the pine emblem centred — a Ferrando in the season's most quiet colourway.
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Editorial — a portrait in the shade, the atelier speaking softly. — Editorial — a portrait in the shade, the atelier speaking softly.
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ARAS PINE Soren Crossbody — cognac envelope — A cognac envelope dangled from the wrist against a glass balcony, a treeline sunlit behind. Envelope-fold silhouette, hand-stitched trim — small-scale, considered, carried without ceremony. — Soren Crossbody — cognac envelope
A cognac envelope dangled from the wrist against a glass balcony, a treeline sunlit behind. Envelope-fold silhouette, hand-stitched trim — small-scale, considered, carried without ceremony.
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II

Editorial — an interior study in leather, cut and stitched at the atelier in Türkiye. — Editorial — an interior study in leather, cut and stitched at the atelier in Türkiye.
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Editorial — the atelier at rest between the hands that made it. — Editorial — the atelier at rest between the hands that made it.
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Editorial — held quietly, the piece taking a photograph of its own. — Editorial — held quietly, the piece taking a photograph of its own.
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Editorial — portrait, close. — Editorial — portrait, close.
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Editorial — a close read of the leather, the way the hand finds it. — Editorial — a close read of the leather, the way the hand finds it.
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From the archive — an autumn editorial, cut for the width of the season. — From the archive — an autumn editorial, cut for the width of the season.
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From the archive — a working-day edit, carried without ceremony. — From the archive — a working-day edit, carried without ceremony.
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III

From the archive — a piece alone, quiet as it will be in the box. — From the archive — a piece alone, quiet as it will be in the box.
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From the archive — carried into the light of a Doha afternoon. — From the archive — carried into the light of a Doha afternoon.
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From the archive — the shoulder rests, the leather learns the wearer. — From the archive — the shoulder rests, the leather learns the wearer.
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From the archive — a still moment, a piece cut for it. — From the archive — a still moment, a piece cut for it.
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From the archive — turned toward the light, considered. — From the archive — turned toward the light, considered.
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From the archive — an autumn frame from an earlier collection. — From the archive — an autumn frame from an earlier collection.
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From the archive — held forward, the atelier at its own pace. — From the archive — held forward, the atelier at its own pace.
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IV

From the archive — worn quietly, the way we think a piece should be. — From the archive — worn quietly, the way we think a piece should be.
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From the archive — carried close, the day at hand. — From the archive — carried close, the day at hand.
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From the archive — the everyday piece the atelier keeps making. — From the archive — the everyday piece the atelier keeps making.
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From the archive — under sunlight, the leather at ease. — From the archive — under sunlight, the leather at ease.
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From the archive — a considered edit for a quiet season. — From the archive — a considered edit for a quiet season.
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ARAS PINE Padrone Pipe Case — brown, roll & tie — Held at the waist in a cream palazzo silhouette. The roll ties itself shut around the pipe it was cut to carry. — Padrone Pipe Case — brown, roll & tie
Held at the waist in a cream palazzo silhouette. The roll ties itself shut around the pipe it was cut to carry.
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V

ARAS PINE Venera Clutch — black croc-embossed — Black silk cami, black leather mini, the croc-embossed flap catching the studio light — the evening piece, before the evening. — Venera Clutch — black croc-embossed
Black silk cami, black leather mini, the croc-embossed flap catching the studio light — the evening piece, before the evening.
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ARAS PINE Venera Clutch — burgundy — One leg lifted on a white plinth, the burgundy piece steady at the hip. A finish cut for the room that reads the piece first. — Venera Clutch — burgundy
One leg lifted on a white plinth, the burgundy piece steady at the hip. A finish cut for the room that reads the piece first.
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ARAS PINE Montel Backpack — cognac — One-shoulder in a white tee under a hard side-spot. The slim silhouette holds; the pine emblem sits centred. — Montel Backpack — cognac
One-shoulder in a white tee under a hard side-spot. The slim silhouette holds; the pine emblem sits centred.
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ARAS PINE Top-Handle Handbag — black — Set on the floor of a sunlit villa bedroom in Doha, beside a model in a black slip dress. Warm dark wood, greenery outside. — Top-Handle Handbag — black
Set on the floor of a sunlit villa bedroom in Doha, beside a model in a black slip dress. Warm dark wood, greenery outside.
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ARAS PINE Elvar — Full Leather Backpack, honey — Cradled in the lap on a dark suede sofa, a book open in the hand. The rolltop keeps its posture. — Elvar — Full Leather Backpack, honey
Cradled in the lap on a dark suede sofa, a book open in the hand. The rolltop keeps its posture.
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ARAS PINE Elvar — Full Leather Backpack, black — Held against a glass-railed villa balcony, dense sunlit greenery behind. The black cut, quiet as it always is. — Elvar — Full Leather Backpack, black
Held against a glass-railed villa balcony, dense sunlit greenery behind. The black cut, quiet as it always is.
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ARAS PINE Feather Backpack — black croc — Drawstring closed, the feather charm quiet at the shoulder. A villa courtyard at afternoon light. — Feather Backpack — black croc
Drawstring closed, the feather charm quiet at the shoulder. A villa courtyard at afternoon light.
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VI

ARAS PINE Liore Messenger — green flap, navy body — White tee under a hard side-spot; the tri-tone panel reads whole against a black backdrop. Suede, calfskin, brass. — Liore Messenger — green flap, navy body
White tee under a hard side-spot; the tri-tone panel reads whole against a black backdrop. Suede, calfskin, brass.
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ARAS PINE Bellune Messenger — burgundy — Crossed over the shoulder in a villa doorway, cream cotton over the arm. The burgundy piece — quieter than a black would be. — Bellune Messenger — burgundy
Crossed over the shoulder in a villa doorway, cream cotton over the arm. The burgundy piece — quieter than a black would be.
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ARAS PINE Valerio Backpack — black — Carried by its top handle at the hip of a man in a black quarter-zip and a burgundy-striped tie. A boardroom piece, boardroom light. — Valerio Backpack — black
Carried by its top handle at the hip of a man in a black quarter-zip and a burgundy-striped tie. A boardroom piece, boardroom light.
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ARAS PINE Soren Crossbody — cognac envelope — Held by the wrist-strap at a sunlit outdoor railing, dense greenery behind. A summer envelope, warm as the leather it's cut from. — Soren Crossbody — cognac envelope
Held by the wrist-strap at a sunlit outdoor railing, dense greenery behind. A summer envelope, warm as the leather it's cut from.
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ARAS PINE Soren Crossbody — cognac envelope — Opened on the lap beside a floor-to-ceiling villa window; sunlit greenery outside. The envelope, at rest. — Soren Crossbody — cognac envelope
Opened on the lap beside a floor-to-ceiling villa window; sunlit greenery outside. The envelope, at rest.
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ARAS PINE Barca Crossbody — chestnut, panelled barrel — Held at the waist in a villa courtyard, cypress and rendered wall behind. The panelled barrel, in the midday shade. — Barca Crossbody — chestnut, panelled barrel
Held at the waist in a villa courtyard, cypress and rendered wall behind. The panelled barrel, in the midday shade.
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ARAS PINE Devon Crossbody — distressed brown — A long black patent trench, oversized sunglasses, the distressed piece at the hip. Cinematic side light, quiet grey ground. — Devon Crossbody — distressed brown
A long black patent trench, oversized sunglasses, the distressed piece at the hip. Cinematic side light, quiet grey ground.
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VII

ARAS PINE Padrone Pipe Case — brown, roll & tie — Rolled and tied on a reflective dining table beside a glass of red wine — low-key, candle-lit, the atelier at dinner. — Padrone Pipe Case — brown, roll & tie
Rolled and tied on a reflective dining table beside a glass of red wine — low-key, candle-lit, the atelier at dinner.
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ARAS PINE Ferrando Backpack — navy canvas, black leather — An interior study — cotton canvas, black calfskin trim, brass at the buckles. Cut for the working week, carried without ceremony. — Ferrando Backpack — navy canvas, black leather
An interior study — cotton canvas, black calfskin trim, brass at the buckles. Cut for the working week, carried without ceremony.
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Portrait — turned inward as the light settles across the bench. — Portrait — turned inward as the light settles across the bench.
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ARAS PINE Corda Clutch — black — Under-arm on a black steel staircase, a glass of wine held in the other hand. Black full-grain calfskin, wraparound leather tie, the brass pine inlaid at the flap. Cut for the night hours. — Corda Clutch — black
Under-arm on a black steel staircase, a glass of wine held in the other hand. Black full-grain calfskin, wraparound leather tie, the brass pine inlaid at the flap. Cut for the night hours.
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Study — in shadow, the piece and the light at their own tempo. — Study — in shadow, the piece and the light at their own tempo.
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ARAS PINE Devon Crossbody — burgundy — Silhouetted at the tree line as the day closes; the burgundy piece held at the hip. A crossbody cut for the moment the working day gives way to the evening after. — Devon Crossbody — burgundy
Silhouetted at the tree line as the day closes; the burgundy piece held at the hip. A crossbody cut for the moment the working day gives way to the evening after.
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VIII

Late light — the atelier's last hour before the doors close. — Late light — the atelier's last hour before the doors close.
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The last frame — with thanks. The pieces are on the site; the shop is at City Center Mall, Doha. — The last frame — with thanks. The pieces are on the site; the shop is at City Center Mall, Doha.
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ARAS PINE · Doha · MMXXVI